“Babygirl” Pushes Boundaries in Modern Erotic Thriller
Director Halina Reijn’s latest film, “Babygirl,” is set to captivate audiences with its provocative blend of eroticism, dark comedy, and technological commentary. The movie, starring Nicole Kidman as Romy Mathis, CEO of a cutting-edge robotics company, delves into the complex interplay of sex and automation in the Amazon era.
Kidman’s portrayal of Romy Mathis presents a character at the intersection of corporate power and personal desire. The film follows Romy as she navigates her high-powered lifestyle, balancing a New York apartment and suburban mansion with her roles as a CEO, wife to a theater director, and mother of two.
“Babygirl” is being hailed as a modern update to 1990s erotic thrillers, with critics drawing comparisons to classics like “Basic Instinct.” However, Reijn’s female perspective brings a fresh take on gender and power dynamics, creating an unpredictable narrative that blends campy elements with genuine entertainment.
The plot takes an intriguing turn with the introduction of Samuel, a young intern played by Harris Dickinson. Their relationship becomes the focal point for exploring themes of control and submission, with Kidman and Dickinson’s on-screen chemistry transcending their age difference.
Supporting characters add depth to the narrative, including Romy’s ambitious executive assistant, Esme. The film subtly addresses post-#MeToo workplace dynamics, particularly in the context of the CEO-intern relationship.
Shot in the New York headquarters of distributor A24, “Babygirl” attempts to comment on automation and digital overload, though some critics note this theme isn’t fully realized.
With its strong sexual content, nudity, and language, “Babygirl” has earned an R rating. Early reviews have awarded the film three out of four stars, praising its performances and thematic depth. As an erotic parable of control and desire, “Babygirl” promises to be a thought-provoking addition to the thriller genre.